"Noah," Mass Entertainment, and Us

Eric Metaxas | Author | Updated: Apr 07, 2014

"Noah," Mass Entertainment, and Us

 

In 532 A.D., a series of riots pitting the supporters of two different chariot racing teams, the “Greens” and the “Blues,” nearly toppled the Byzantine Emperor, Justinian. The Nika riots resulted in 30,000 deaths and half of Constantinople being burned or otherwise destroyed.

 

If it sounds like these people took popular entertainment far too seriously, you should Google “Noah” and “Christian.”

 

As several colleagues of mine have pointed out, the level of vituperation among Christians over Darren Aronofsky's film is “nuts.” In the most-recent high-profile salvo, a theologian accused Christian leaders who endorsed the film of missing “a blatantly Gnostic subversion of the biblical story when it was right in front of their faces.”

 

This of course prompted denials and retorts from those being criticized. As my BreakPoint colleague Roberto Rivera put it, “and the wheels on the bus go round and round.”

 

As Roberto pointed out in a recent column at BreakPoint online, what’s missing in all the back-and-forth “is any consideration about why Christians should be so invested in what comes out of Hollywood.”

 

He’s not saying that we shouldn’t take note of what the entertainment industry is up to. Of course not. Given its outsized role in our culture, to ignore it would be folly. Nor is he saying that we shouldn’t be prepared to praise the good stuff and criticize the rest.

 

He’s saying that we shouldn’t look to the entertainment industry for validation of our beliefs and way of life. And that, sadly, is what too many of us do. We long to see ourselves -- or an idealized version of ourselves -- on the screen. Like Sally Fields said at the Oscars thirty years ago, we want to say “I can't deny the fact that you like me, right now, you like me.”

 

But while Fields was being humorous, many of us aren’t.

 

What makes this especially unfortunate is that mass entertainment is, almost by design, intended to be a substitute for the Christian worldview that answered what Brad S. Gregory, a historian at Notre Dame, has called the “Life Questions.”

 

According to Gregory, consumerism, including the consumption of mass media, grew out of the rejection of Christian ideas about the good life and human flourishing. As he puts it, we have exchanged the “good life” for the “goods life.”

 

These “goods” aren’t limited to cars, houses, and electronics. They include mass media: television, music, movies and the internet. Even more than tangible “stuff,” mass media distracts us from the emptiness and the purposelessness of much of modern, post-Christian existence.

 

That’s why “people who couldn’t begin to tell you about the biblical Noah can talk your ears off about ephemeral pop culture matters.” In many instances, it’s the only thing they can talk about.

 

There are of course exceptions. Some films and television can serve as illustrations of Christian themes and “conversation starters.” But as my friend says, “the goal of such illustrations and conversation starters should be to direct people’s primary gaze away from the screen (of whatever size) and toward the places where the ‘Life Questions’ are supposed to be answered,” such as in scripture and worship—not to mention in fellowship and in acts of service.

 

Let’s leave the online rioting to fans of chariot racing.

 

Come to BreakPoint.org and click on this commentary. We’ll link you to Roberto's excellent article on "Noah." And we'll point you to resources on the intersection of Christianity and mass entertainment. And if you liked this commentary, why not share it with your friends on Facebook and let them know about BreakPoint? We'd certainly appreciate it.

 

BreakPoint is a Christian worldview ministry that seeks to build and resource a movement of Christians committed to living and defending Christian worldview in all areas of life. Begun by Chuck Colson in 1991 as a daily radio broadcast, BreakPoint provides a Christian perspective on today’s news and trends via radio, interactive media, and print. Today BreakPoint commentaries, co-hosted by Eric Metaxas and John Stonestreet, air daily on more than 1,200 outlets with an estimated weekly listening audience of eight million people. Feel free to contact us at BreakPoint.org where you can read and search answers to common questions.

Eric Metaxas is a co-host of BreakPoint Radio and a best-selling author whose biographies, children's books, and popular apologetics have been translated into more than a dozen languages.

Publication date: April 7, 2014



"Noah," Mass Entertainment, and Us